The J. Getty Museum, Los Angeles.
Tomayto, tomahto: An empirical comparison of two job crafting models
On this first image, the tomato seems to have been just harvested. It has an incredible blush colour and looks quite appetizing: with a drizzle of olive oil and some salt would be enough for me. The second image shows a much more lobed and paler tomato, but which is just starting to ripen judging from the reddish tones. Joris Hoefnagel, Insect, mullein, forget-me-not and tomato, , in: Mira calligraphiae monumenta.
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These tomatoes are quite the oldies, as they were painted at the end of the 16 th century. A few centuries have gone by since then.
January 16, 2015
His grandfather, Ferdinand I, commissioned the initial work to his imperial secretary , requesting a collection of his finest calligraphy. A few decades later, Rudolph II requested the illumination of these pages by the hand of his court artist Joris Hoefnagel in order for them to be a part of his exotic cabinet of curiosities, his Kunstkammer.
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Hoefnagel made it his duty to fill the pages of the most elaborate calligraphy with all kinds of flora and fauna. The delicate and intricate black and gold lines together with the colourful aquarelles form a true jewel in this manuscript, also due to the reduced size, as it fits perfectly in the palm of your hand.
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